The Ten Commandments of the Shomer HaTzair Youth Movement Following Shraga Weil
The Ten Commandments of the Shomer HaTzair Youth Movement Following Shraga Weil - Installation view at the Israli center for digital art, Holon, Israel.
In the gallery space one may see the wall painting outlines, originally created in 1946 by Weil, with a colored circle that creates a disruption that distills the image and poses questions regarding the nature of these ten commandments and the relevancy of this youth movement in contemporary times. This links wall art and the local narrative, weaving a tale about and with the locals who live there.
The Ten Commandments of the Shomer HaTzair Youth Movement Following Shraga Weil - Mural documentation.
Tati tracks the Ten Commandments of the movement, first drafted in 1916, and graphically designed by Shraga Weil in 1946. These commandments paint a portrait of the model movement member (the Shomer) with such phrases as “the Shomer strives for Zionism, socialism, and peace among nations.” Weil’s design is full of pathos, with the commandments being accompanied by wood carvings of characters wearing official Shomer uniform, standing against the sun that rises from the lyrics to the movement’s anthem. Tati takes these original designs, blows them up, and sprays them over the walls of the local branch, with the characters being replaced by a large, opaque, yellow stain.
The Ten Commandments of the Shomer HaTzair Youth Movement Following Shraga Weil - Installation view Moby Museum of Bat-Yam, Israel.
Tati together with Tali Tamir invited the local branch instructors to take part in the “Schooling” (Bristolim) exhibition at the Bat Yam Museum.The exhibition dealt with educational processes, societal mechanisms, and other ways in which the world of young citizens is being formed, focusing on the educational establishment, teacher-student relationship, and the relationship between students and the classroom spaces in which they spend most of their time. After their own home was turned into an artwork, the instructors enter Tati’s professional home, in order to spray-paint their movement’s ten commandments on the museum’s walls—this time without interfering with their original design